Spitfire–Bernard Hermann Composer Toolkit–Recensione

 

https://www.spitfireaudio.com/shop/a-z/bernard-herrmann-composer-toolkit/

 

ORCHESTRAL INNOVATION INSPIRED BY A LEGEND

€509 inc VAT

Spitfire’s first dry scoring stage ensemble library, inspired by the electric genius of Bernard Herrmann. Renowned for his groundbreaking scores including Citizen Kane, Journey to the Centre of the Earth, Psycho, Vertigo and Taxi Driver, his legacy continues to inspire the work of composers today. We’ve worked exclusively with Bernard Herrmann’s estate to curate and assemble a unique set of studio orchestra ensembles, informed directly by the composer’s legendary orchestration aesthetic. Recorded at Studio 1 Air Lyndhurst by Simon Rhodes (Avatar, Grand Budapest Hotel, Spectre, Harry Potter, There Will Be Blood), we’ve captured players performing as Herrmann would have had them – boisterous, lively and upfront, with patches featuring selected groups, unusual instrumental combis, chords, effects and much more. Fire-up this versatile Toolkit for lively and distinctive scoring.

  • 186742 SAMPLES
  • 225.0 GB UNCOMPRESSED .WAV
  • 146.6 GB DISK SPACE REQUIRED
  • 293.2 GB DISK SPACE REQUIRED DURING INSTALL
  • MAC SYSTEM REQUIREMENTS10.9 or higher
  • PC SYSTEM REQUIREMENTSWin7 or higher
  • KONTAKT VERSION REQUIREMENTSKontakt Player 5.5 or higher
  • FREE KONTAKT PLAYER INCLUDED
  • USER MANUAL

BACKGROUND

Bernard Herrmann is one of the great modern composers. His work for TV and film is nothing short of iconic, and is truly synonymous with mid-20th Century cinema. Collaborating with Orson Welles on Citizen Kane, Martin Scorsese on Taxi Driver, and in long-term partnership with Alfred Hitchcock for scores such as Vertigo, Psycho, The Birds, Marnie and beyond, the sheer magnitude of critical works produced is breathtaking. Not only did his work cause significant impact on culture at the time, but more recently those works have been used to invigorate contemporary scores, for example the use of the Twisted Nerve theme in Quentin Tarantino’s Kill Bill – an eerie whistle which is now instantly recognisable worldwide.
Herrmann had a unique and trailblazing compositional style. His orchestrations were entirely original, daring and inventive; always appropriate for the context and subsequently incredibly influential in film scoring (Psycho is an obvious example of a totally new way to score a thriller). The bold selection of specific instrumental ensembles (his Psycho score was famed for being strings-only, and the infamous Torn Curtain featured 12 flutes) and choice of interesting combinations (harp and vibraphone in Vertigo, stopped horns and pizzicato strings in North by Northwest) challenged the status quo. Equally his experimentation of electronic instruments in scores was pioneering – the ondes Martenot in The Day The Earth Stood Still and amplified Moog synths in Sisters/Endless Nights brought sounds previously unheard to cinemas. He also went as far as to effect change in the performance style of players, requesting that players not play in the traditional, somewhat overblown nature that other Hollywood composers would traditionally employ.
He had a limitless curiosity and love of new music, championing the careers of several composers who became household names as a result of his hard work. His work as conductor of the CBS Symphony Orchestra, and the many radio broadcasts he made with them, helped to bring a huge and often little heard variety of music to a wide audience.
His was a truly individual voice and he stood firm against what he saw as the dilution of the art form and he continues to be massively respected and influential among film composers today.
So, of course, when the opportunity arose for Spitfire Audio to collaborate with his estate, we crumbled with excitement. We hope to have developed a unique library that provides working composers with a broad variety of new sounds and possibilities, albeit rooted in the genius of Herrmann and his approach to film scoring.

GUIS

THE OVERVIEW PANEL

Gives you a quick and easy way to access, view and load the different articulations, mic mixes and essential controller functions which you can then re-assign to suit your workflow.

GENERAL CONTROLS PANEL

A deeper but still simple UI panel that allows you to tweak the general settings. How many round robins you would like and how you would like them to behave. How would you like memory to be organised alongside pitch options and how velocity works.

THE OSTINATUM

Quite simply a little inspiration machine. Not quite an arpeggiator, not quite a sequencer. This intuitive device allows you to build up complex patterns that react to your playing to achieve wild systems results tantalising Zimmeresque tension beds or cheeky multi-tonguing effects!

MERCURY SYNTH

Included in the “advanced” folder are over 30 synth patches inspired by Herrmann’s use of sythesisers in combination with orchestral material. These can be controlled using our Mercury Synth GUI. It is an ingenious user interface that allows you to have instant fun without having to roll up your sleeves and go under the Kontakt hood. All of the controls are assignable to your control surface giving you the immediate ability to make our sounds your own.

Advertisements

Spitfire Symphonic Brass–Recensione

 

https://www.spitfireaudio.com/shop/a-z/spitfire-symphonic-brass/

After a decade of exhaustive sampling, and four years spent capturing our finest brass players, Spitfire are proud to present Symphonic Brass. It is a definitive collection of orchestral brass recorded at Air Studios, London. With a broad selection of different section sizes from solo to large groups of Trumpets, Horns & Trombones to featured instruments; with usual suspects such as Bass Trombones & Tubas, to zeitgeist weaponry such as Cimbassi, Contrabass Trombones and a new Contrabass Tuba.
Originally released in modules as part of the BML (British Modular Library) project, Spitfire Symphonic Brass is a rationalisation of these numerous, deep sampled components, along with many improvements, including a host of new articulations and new instruments. We’ve created a more affordable entry into what we believe to be the finest orchestral brass library available today.
To justify these claims we cite this small list of contributing factors:
• British brass players are arguably the best in the world.
• Spitfire has cherry picked the best of the best.
• Recorded to tape at Air Studios via an unparalleled signal path.
• Deepest articulation, dynamic layer, round robin set of brass samples we’ve yet to see
• Produced by an award winning team of composers, producers & engineers.
• Presented in an intuitive interface based on a decade of award-winning sampling experience and a quarter century as working composers.
With playing styles from heart rending choral work to blistering lip bleed material. Whether you’re an aspiring John Williams or a zealous Hans Zimmer-ite we have no doubt that their favourite players will find favour with you!

Background

From its collieries, through its jazz clubs, amongst the hundreds of pit bands, sitting proudly abreast at the Proms in the Albert Hall, through symphonic concerts to countless chamber spaces; The British Brass tradition runs through our country and culture like spinal fluid. Spitfire set about creating a definitive showcase of British Brass talent, a doomsday time capsule of this fine tradition.
Whilst there are many great orchestras around the world, there’s just something about British brass that keeps composers coming back, sometimes under the cover of darkness to record illicit “overdubbing” sessions in London. It is the rare combination of the colliery, jazz, West End and classical traditions that produce this swaggering melting pot of rarefied individuals.
Having already recorded a full brass choir for the infamous Spitfire ‘bespoke’ range. Paul, Christian, Stanley and the Spitfire team set about a longer term project to capture this spirit, the spine of our musical culture, for the world to share and celebrate.

Features

• A broad band covering solo, chamber, symphonic and cinematic instrument groups
• Traditional to modern ‘zeitgeist’ selection of instruments from Trumpets, Horns & Bones to Cimbassi & Contrabass Instruments
• Super deep sampled, many dynamic layers and round robins
• Most comprehensive selection of articulations, and additional techniques available today
• Entry level core pack has full functionality of BML offering
• Core pack shipped with 3 distinct mic positions C(lose), T(ree), A(mbient)
• New add on pack coming soon with additional mics and mixes
NEW IN SPITFIRE SYMPHONIC BRASS
• In addition to all articulations in BML, new ‘Volume 2’ articulations across the band.
• In addition to all instruments in BML, new members including Contrabass Tuba and solo trombones.
• New, more intuitive interface design
• New rationalised file architecture will allow for improvements and enhancements in the future
• Many tweaks, and performance / musical improvements

GUIs

The Overview Panel

Gives you a quick and easy way to access, view and load the different articulations, mic mixes and essential controller functions which you can then re-assign to suit your workflow.

General Controls Panel

A deeper but still simple UI panel that allows you to tweak the general settings. How many round robins you would like and how you would like them to behave. How would you like memory to be organised alongside pitch options and how velocity works.

The Ostinatum

Quite simply a little inspiration machine. Not quite an arpeggiator, not quite a sequencer. This intuitive device allows you to build up complex patterns that react to your playing to achieve wild systems results tantalising Zimmeresque tension beds or cheeky multi-tonguing effects!

Presets / Articulations / Mics / Mixes

Presets / Articulations
a – Horn Solo:
  • a – Horn Solo – Fall
  • a – Horn Solo – Long Flutter
  • a – Horn Solo – Long
  • a – Horn Solo – Rip
  • a – Horn Solo – Short Marcato
  • a – Horn Solo – Short Staccatissimo
  • a – Horn Solo – Short Staccato
  • a – Horn Solo – Short Tenuto
  • a – Horn Solo – Trill (Major 2nd)
  • a – Horn Solo – Trill (Minor 2nd)
b – Horns a2:
  • b – Horns a2 – Bells up Crotchet
  • b – Horns a2 – Bells up Long
  • b – Horns a2 – Bells up Quaver
  • b – Horns a2 – Bells up Staccatissimo
  • b – Horns a2 – Bells up Staccato
  • b – Horns a2 – Fall
  • b – Horns a2 – Long Cuivre
  • b – Horns a2 – Long Flutter
  • b – Horns a2 – Long Stopped
  • b – Horns a2 – Long
  • b – Horns a2 – Multitongue
  • b – Horns a2 – Rip
  • b – Horns a2 – Short Marcato
  • b – Horns a2 – Short Staccatissimo
  • b – Horns a2 – Short Staccato
  • b – Horns a2 – Short Tenuto
  • b – Horns a2 – Trill (Major 2nd)
  • b – Horns a2 – Trill (Minor 2nd)
c – Horns a6:
  • c – Horns a6 – Fall
  • c – Horns a6 – Fanfare
  • c – Horns a6 – Long Cuivre
  • c – Horns a6 – Long
  • c – Horns a6 – Multitongue
  • c – Horns a6 – Rip
  • c – Horns a6 – Short Marcato
  • c – Horns a6 – Short Staccato
  • c – Horns a6 – Short Tenuto
d – Tenor Trombone Solo:
  • d – Tenor Trombone Solo – Falls
  • d – Tenor Trombone Solo – Long Cuivre
  • d – Tenor Trombone Solo – Long Flutter Muted
  • d – Tenor Trombone Solo – Long Flutter
  • d – Tenor Trombone Solo – Long Muted
  • d – Tenor Trombone Solo – Long
  • d – Tenor Trombone Solo – Multitongue
  • d – Tenor Trombone Solo – Rips
  • d – Tenor Trombone Solo – Short Marcato Muted
  • d – Tenor Trombone Solo – Short Marcato
  • d – Tenor Trombone Solo – Short Staccato Muted
  • d – Tenor Trombone Solo – Short Staccato
  • d – Tenor Trombone Solo – Short Tenuto Muted
  • d – Tenor Trombone Solo – Short Tenuto
e – Tenor Trombones a2:
  • e – Tenor Trombones a2 – Falls
  • e – Tenor Trombones a2 – FX Gliss
  • e – Tenor Trombones a2 – Long Cuivre
  • e – Tenor Trombones a2 – Long
  • e – Tenor Trombones a2 – Multitongue
  • e – Tenor Trombones a2 – Rips
  • e – Tenor Trombones a2 – Short Marcato
  • e – Tenor Trombones a2 – Short Staccato
  • e – Tenor Trombones a2 – Short Tenuto
f – Bass Trombone Solo:
  • f – Bass Trombone Solo – Falls
  • f – Bass Trombone Solo – Long Cuivre
  • f – Bass Trombone Solo – Long Flutter
  • f – Bass Trombone Solo – Long
  • f – Bass Trombone Solo – Multitongue
  • f – Bass Trombone Solo – Rips
  • f – Bass Trombone Solo – Short Marcato
  • f – Bass Trombone Solo – Short Staccato
  • f – Bass Trombone Solo – Short Tenuto
g – Bass Trombones a2:
  • g – Bass Trombones a2 – Falls
  • g – Bass Trombones a2 – FX Gliss
  • g – Bass Trombones a2 – Long Cuivre
  • g – Bass Trombones a2 – Long
  • g – Bass Trombones a2 – Multitongue
  • g – Bass Trombones a2 – Rips
  • g – Bass Trombones a2 – Short Marcato
  • g – Bass Trombones a2 – Short Staccato
  • g – Bass Trombones a2 – Short Tenuto
h – Contrabass Trombone Solo:
  • h – Contrabass Trombone Solo – Falls
  • h – Contrabass Trombone Solo – Long Cuivre
  • h – Contrabass Trombone Solo – Long Stopped
  • h – Contrabass Trombone Solo – Long
  • h – Contrabass Trombone Solo – Rips
  • h – Contrabass Trombone Solo – Short CS
  • h – Contrabass Trombone Solo – Short Marcato
  • h – Contrabass Trombone Solo – Short Staccato
  • h – Contrabass Trombone Solo – Short Tenuto
i – Trombones a6:
  • i – Trombones a6 – Falls
  • i – Trombones a6 – Fanfare
  • i – Trombones a6 – Long Cuivre
  • i – Trombones a6 – Long
  • i – Trombones a6 – Multitongue
  • i – Trombones a6 – Rips
  • i – Trombones a6 – Short Marcato
  • i – Trombones a6 – Short Staccato
  • i – Trombones a6 – Short Tenuto
j – Trumpet Solo:
  • j – Trumpet Solo – FX Gliss
  • j – Trumpet Solo – Long Flutter
  • j – Trumpet Solo – Long Mariachi
  • j – Trumpet Solo – Long Muted
  • j – Trumpet Solo – Long
  • j – Trumpet Solo – Multitongue
  • j – Trumpet Solo – Short Marcato Muted
  • j – Trumpet Solo – Short Marcato
  • j – Trumpet Solo – Short Staccato Muted
  • j – Trumpet Solo – Short Staccato
  • j – Trumpet Solo – Short Tenuto Muted
  • j – Trumpet Solo – Short Tenuto
  • j – Trumpet Solo – Trill (Major 2nd)
  • j – Trumpet Solo – Trill (Minor 2nd)
k – Trumpets a2:
  • k – Trumpets a2 – Falls
  • k – Trumpets a2 – Long Mariachi
  • k – Trumpets a2 – Long Muted
  • k – Trumpets a2 – Long
  • k – Trumpets a2 – Multitongue
  • k – Trumpets a2 – Rips
  • k – Trumpets a2 – Short Marcato
  • k – Trumpets a2 – Short Staccato
  • k – Trumpets a2 – Short Tenuto
  • k – Trumpets a2 – Trill (Major 2nd)
  • k – Trumpets a2 – Trill (Minor 2nd)
l – Trumpets a6:
  • l – Trumpets a6 – Fall
  • l – Trumpets a6 – Fanfare
  • l – Trumpets a6 – Long Cuivre
  • l – Trumpets a6 – Long
  • l – Trumpets a6 – Multitongue
  • l – Trumpets a6 – Rip
  • l – Trumpets a6 – Short Marcato
  • l – Trumpets a6 – Short Staccato
  • l – Trumpets a6 – Short Tenuto
m – Tuba Solo:
  • m – Tuba Solo – Falls
  • m – Tuba Solo – Long Stopped
  • m – Tuba Solo – Long
  • m – Tuba Solo – Rips
  • m – Tuba Solo – Short Marcato
  • m – Tuba Solo – Short Staccato
  • m – Tuba Solo – Short Stopped
  • m – Tuba Solo – Short Tenuto
n – Contrabass Tuba Solo:
  • n – Contrabass Tuba Solo – Falls
  • n – Contrabass Tuba Solo – Long
  • n – Contrabass Tuba Solo – Rips
  • n – Contrabass Tuba Solo – Short Marcato
  • n – Contrabass Tuba Solo – Short Staccato
  • n – Contrabass Tuba Solo – Short Tenuto
o – Cimbasso Solo:
  • o – Cimbasso Solo – Falls
  • o – Cimbasso Solo – Long Cuivre
  • o – Cimbasso Solo – Long
  • o – Cimbasso Solo – Rips
  • o – Cimbasso Solo – Short Marcato
  • o – Cimbasso Solo – Short Staccato
  • o – Cimbasso Solo – Short Tenuto
p – Cimbassi a2:
  • p – Cimbassi a2 – Falls
  • p – Cimbassi a2 – Long Alt
  • p – Cimbassi a2 – Long Cuivre
  • p – Cimbassi a2 – Long
  • p – Cimbassi a2 – Rips
  • p – Cimbassi a2 – Short Marcato
  • p – Cimbassi a2 – Short Staccato
  • p – Cimbassi a2 – Short Tenuto
Legato techniques:
  • a – Horn Solo – Legato
  • b – Horns a2 – Legato
  • c – Horns a6 – Performance Legato
  • d – Tenor Trombone Solo – Legato (coming soon in FREE update)
  • e – Tenor Trombones a2 – Legato
  • f – Bass Trombone Solo – Legato (coming soon in FREE update)
  • g – Bass Trombones a2 – Legato
  • i – Trombones a6 – Performance Legato
  • j – Trumpet Solo – Legato
  • k – Trumpets a2 – Legato
  • l – Trumpets a6 – Performance Legato
  • m – Tuba Solo – Legato
Mics & Mixes
Mics:
  • C – Close
  • T – Tree
  • A – Ambient

Recensione Spitfire Symphonic Strings

Clicca il seguente link per ascoltare dei demo audio

http://www.spitfireaudio.com/shop/instruments/orchestra/spitfire-symphonic-strings/

Features

Every articulation for every section plus ensembles formerly available in Mural volumes 1, 2, 3 & Ensembles in a single encyclopaedic compendium:
• 175 articulations, including 59 shorts, 94 longs, & 45 legatos
• 60 Top London string players
• Recorded in situ (ie: in the positions they occupy in a scoring session)
• Recorded using priceless valve and ribbon mics
• Neve Montserrat Pre-amps into a Neve 88R desk
• Recorded digitally at 96k via 2″ Studer tape
• Deep sampled with multiple dynamic layers and round robins
• Diverse and detailed with essential, additional and some totally unique articulations
• Legatos designed by Andrew Blaney
• Individual sections and ensembles
• 3 essential, diverse and most favoured mic positions: C(lose), T(ree), A(mbient)
• Kontakt Player included
• NKS-ready
• New intuitive GUI with inline help system
• As used by A-list composers and producers around the globe!

Presets / Articulations

Recensione Symphony Series Woodwinds–Legni

https://www.native-instruments.com/en/products/komplete/cinematic/symphony-series-woodwind/

DEMO

https://www.native-instruments.com/fileadmin/ni_media/producer/kontaktsoundpack/WOODWIND/WWE_1_Brad_Jerkins_-_Flight_of_the_Hornet_mastered.mp3

https://www.native-instruments.com/fileadmin/ni_media/producer/kontaktsoundpack/WOODWIND/WWS_1_Tom%C3%A1s_Lobos_Kunstmann_-_La_Danse_Des_Morts_Vivants_V2_mastered.mp3

RECORDING

RECORDED SECTIONS – WOODWIND ENSEMBLE

6 Concert Flutes (C3 – C6)
6 Oboes (C3 – D5)
6 Bb Clarinets (D2 – D5)
6 Bassoons (A#0 – A#3)
6 Tenor Saxophones (Ab2 – D5)
6 Bass Winds (B-1 – A#2): 3 contrabassoons, 1 bass clarinet and 2 contrabass clarinets

RECORDED SECTIONS – WOODWIND SOLO

Concert Flute (C3 – C6)
Oboe(C3 – D5)
Bb Clarinet (D2 – D5)
Bassoon (Bb0 – Bb3)
Tenor Saxophone (Ab2 – D5)
Contrabassoon (Bb-1 – Bb2)

MICROPHONE SETUP

Close
4 Neumann TLM 103 (cardioid)
Mid
2 Neumann TLM 107 (omni, stereo pair)
2 Neumann TLM 67 (omni, stereo pair)
2 Neumann TLM 103 (cardioid)
Far
2 Neumann TLM 103 (cardioid)
2 Neumann TLM 102 (cardioid)

LOCATION

Recorded at Montclair Presbyterian Church in Oakland, California

RECORDING EQUIPMENT

2 Sound Devices 788 SSD 8-channel solid state recorders (linked)

NI_Symphony_Series_Woodwind_Ensemble

CONTENT

WOODWIND ENSEMBLE

Size
57 GB of sample content (30 GB after lossless ncw compression)
Samples
38,890
Total Articulations
314
Number of NKIs
43
Including full ‘Woodwind Ensemble’ NKI
Microphone Mixes
4 – Close, Medium, Far, and Stereo Master Mix with independent mixing, routing, panning, and loading

WOODWIND SOLO

Size
33 GB of sample content (19 GB after lossless ncw compression)
Samples
20,968
Total Articulations
148
Number of NKIs
37
Including group ‘Woodwind Quintet’ NKI

ARTICULATIONS OVERVIEW

For WOODWIND ENSEMBLE and WOODWIND SOLO
Sustain
Real-time dynamic layer control for expressive performances, simulated legato, repeater, and arpeggio generation
Arpeggio Sustains (WOODWIND ENSEMBLE only)
Natural arpeggiated sustains with tempo-synching and tuned releases
Legato
True legato sustains for each section
Staccatos

  • Single, double, and triple tongue staccatos with round robins and automatic repetition features.
  • Up to 8 round-robin variations and pp/ff dynamic layering

Expressions

  • With expression release system
  • Tempo-synching and/or time stretching (for most expressions)

Effects
Aleatoric, clusters, discords, flourishes, stabs, sweeps, and more

Cinematic Studio Strings e Piano Recensione

 

http://www.cinematicstudioseries.com/index.html

 

css_box_and_guiCapturing the sound of a Hollywood-style string section seated in position, CSS was recorded meticulously in a world-class scoring stage, and is the first instalment in our forthcoming Cinematic Studio Series. While CS2 gave you a full concert hall sound, with the new series we’ve opted for a more versatile Hollywood studio sound that will be suited to an even wider range of applications. The series will feature the entire orchestra including piano (also out now), solo strings (out soon), brass, woodwind and percussion.

CSS boasts stunning true-to-life dynamics, a wide variety of articulations, and a remarkably realistic legato engine. The combination of beautiful ribbon and condenser microphones, recorded at three mic distances, gives the library a lush and versatile sound out-of-the-box. At the heart of CSS is our intuitive and efficient GUI with its short-but-sweet patch list, easily assignable keyswitches and MIDI CCs, and a full mixer with output routing options and reverb.

With its incredible blend of authenticity and playability, and at the very affordable price of $399, you can have CSS working alongside you on your latest project in no time!

csp_box_and_gui

For the first month, we are giving 50% off our new piano library, Cinematic Studio Piano, as a bonus to purchasers of CSS. CSP was recorded in the same space with the same techniques and is designed to blend seamlessly with the strings. The usual price of CSP will be a very low $69. Both libraries available now for Kontakt and Kontakt Player.

8dio strings Bundle–Recensione

 

http://8dio.com/instrument/bundle-9-all-adagio-strings/

http://8dio.com/instrument-category/orchestral/#instrument/adagio-violins/

http://8dio.com/instrument-category/orchestral/#instrument/adagio-violas/

http://8dio.com/instrument-category/orchestral/#instrument/adagio-cellos/

http://8dio.com/instrument-category/orchestral/#instrument/adagio-basses/

Adagio Strings Bundle 9 VST-AU-AAX – Kontakt Instruments overview

About “All Adagio Strings” Bundle

ADAGIO is the air, the flow, the burn and the sorrow of symphonic strings.

Produced by Academy Award, TEC and G.A.N.G Award Winning Composer, Troels Folmann and Emmy Nominated Composer and Orchestrator, Colin O’Malley,  8Dio Adagio String Series is a new-generation orchestral sample library and the most expressive collection of deep-sampled strings ever created.

The Adagio All Strings VST Bundle contains Adagietto, Adagio ViolinsAdagio Violas, Adagio Cellos, and Adagio Basses All the Adagio libraries contains three main groups of Full Ensemble, Divisi and Solo sections.  All groups have been extensively sampled and recorded in a signature church environment with a hand-selected group of great players from the San Francisco Bay Area. All groups were sampled with three different microphone positions (close, far, mixed) and we deployed a variety of never-done-before sampling techniques from round robin based legato and the ability to connect legato effortlessly with other articulations like loure (floating notes) and dynamic bowings (expressive notes). In addition we have some of the most deep-sampled short notes ever done.

Adagio Strings is designed for professional composers and orchestrators. The individual volumes each contains several unique legato recordings (ex. round robin based legato, slurred/emotional legato, sordino legato) and the Violins, Violas, Cellos and Basses combined contain 36 different types of legatos. In addition you will find over 120 different types of Dynamic Bowings and 60 different types of Loures. All articulations in Adagio (ex. 36 legato) are all unique recordings, so you won’t find different variations of the same samples, but in fact find unique and different recordings of … everything!

Feel free to visit the respective pages for Adagietto, Adagio ViolinsAdagio Violas, Adagio Cellos and Adagio Basses.

Welcome to the future of sampling with motion and emotion.

Metropolis Ark

METROPOLIS ARK 1

PRE-ORDER SPECIAL + FIRST TEASER!

METROPOLIS ARK 1 - The Monumental Orchestra - Trailer 

 

TRAILER

THE REVOLUTION OF EPIC IN ONE BOX!
ORCHESTRA – CHOIR – PERCUSSION – POWER CHORDS – DRUMS

METROPOLIS ARK I contains a huge Orchestra, Choir, Electric Guitars, Percussion, a Grand Piano and a magnificent Drumset, all recorded with first call musicians at the Teldex Scoring Stage. METROPOLIS ARK I features the loudest imaginable dynamics starting from mf upwards to ffff. Everything is designed to be loud, to be bold and boundary-shatteringly epic. This Collection opens a whole new world for Orchestral Tools, who are well known for their Berlin Series, a virtual Orchestra that set a new standard and is used by many high-profile film composers in Hollywood and around the world.
A UNIQUE SOUND
There is one vision and everything is built around it:
Special sections like 4 Contra Bassoons playing in unison, a Bass Trombone Ensemble, a Cimbasso Ensemble or 12 Basses + 6 Celli playing together in octaves. METROPOLIS ARK I includes different French Horn ensembles: A big 9 piece Horn Section for soaring, thick Horn melodies and a smaller 3 piece Horn Ensembles, specifically designed to play chords. Together with uncomparable Powerchords recorded wet at the scoring stage with two different Guitars and a sinister massive Choir singing at the highest dynamics, this Collection will rise your compositions to a whole new level.
A FLEXIBLE WORKING TOOL
Instead of pre-mixed sections, METROPOLIS ARK I offers pure and unprocessed instrument groups to give you all the flexibility to arrange your own orchestrations. Extensive Articulation Sets additionally offer Swells, Crescendos, Glissandos, 2 different lengths of Marcato, Shorts, etc. on more than 80GB of compressed sample material.
METROPOLIS ARK I marks the next generation of Fortissimo and it is a revolution of Epic in one single box.

PRE-ORDER NOW
€ 349.-
+ VAT
Normal Pricing € 549.- + VAT
METROPOLIS ARK I PRODUCT SITE

Copyright © 2015 Orchestral Tools / Schwarzer & Mantik GmbH, All rights reserved.