Happy Holideals 2017! Ik Multimedia

Regalati un Black Friday indimenticabile. Fino al 30/11, prezzi pazzi su SampleTank MAX, Syntronik, MODO BASS, Miroslav Philharmonik 2, Total Studio MAX e molto di più.

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Holideals

SampleTank MAX ad un prezzo irripetibile.

Oltre 4600 strumenti di alta qualità e 52 GB di campioni. Crea e componi senza limiti. La nostra celebre workstation di suoni e groove tua da soli 149,99€. Risparmia il 50%

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-25% su Syntronik – Il tuo synth studio definitivo.

Crossgrade da soli 149,99€ ! Con il nuovo aggiornamento alla versione 1.1 ora la nostra synth powerhouse è ancora più versatile.

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Syntronik Mac/PC

MODO BASS ad un prezzo mai visto.

Se esiste un basso virtuale in grado di mettere fine alla tua spasmodica ricerca di uno strumento realistico, il pluripremiato MODO BASS è la risposta definitiva a tutte le tue domande. Effettua il crossgrade a soli 129,99€ e risparmia il 35%!

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-50% su Miroslav Philharmonik 2

Crea mock-up orchestrali realistici ed espressivi, componi per film, videogames, TV e molto di più. Miroslav Philharmonik 2 tua da soli 149,99€.

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-50% su Total Studio MAX.

Effettua l’upgrade alla soluzione definitiva per il tuo studio, risparmiando la metà!
A partire da soli 249,99€.

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Promo valida fino al 30 Novembre 2017. I prezzi visualizzati si intendono IVA esclusa.
Per maggiori informazioni sulla promo, visita il nostro sito.

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Spitfire–Bernard Hermann Composer Toolkit–Recensione

 

https://www.spitfireaudio.com/shop/a-z/bernard-herrmann-composer-toolkit/

 

ORCHESTRAL INNOVATION INSPIRED BY A LEGEND

€509 inc VAT

Spitfire’s first dry scoring stage ensemble library, inspired by the electric genius of Bernard Herrmann. Renowned for his groundbreaking scores including Citizen Kane, Journey to the Centre of the Earth, Psycho, Vertigo and Taxi Driver, his legacy continues to inspire the work of composers today. We’ve worked exclusively with Bernard Herrmann’s estate to curate and assemble a unique set of studio orchestra ensembles, informed directly by the composer’s legendary orchestration aesthetic. Recorded at Studio 1 Air Lyndhurst by Simon Rhodes (Avatar, Grand Budapest Hotel, Spectre, Harry Potter, There Will Be Blood), we’ve captured players performing as Herrmann would have had them – boisterous, lively and upfront, with patches featuring selected groups, unusual instrumental combis, chords, effects and much more. Fire-up this versatile Toolkit for lively and distinctive scoring.

  • 186742 SAMPLES
  • 225.0 GB UNCOMPRESSED .WAV
  • 146.6 GB DISK SPACE REQUIRED
  • 293.2 GB DISK SPACE REQUIRED DURING INSTALL
  • MAC SYSTEM REQUIREMENTS10.9 or higher
  • PC SYSTEM REQUIREMENTSWin7 or higher
  • KONTAKT VERSION REQUIREMENTSKontakt Player 5.5 or higher
  • FREE KONTAKT PLAYER INCLUDED
  • USER MANUAL

BACKGROUND

Bernard Herrmann is one of the great modern composers. His work for TV and film is nothing short of iconic, and is truly synonymous with mid-20th Century cinema. Collaborating with Orson Welles on Citizen Kane, Martin Scorsese on Taxi Driver, and in long-term partnership with Alfred Hitchcock for scores such as Vertigo, Psycho, The Birds, Marnie and beyond, the sheer magnitude of critical works produced is breathtaking. Not only did his work cause significant impact on culture at the time, but more recently those works have been used to invigorate contemporary scores, for example the use of the Twisted Nerve theme in Quentin Tarantino’s Kill Bill – an eerie whistle which is now instantly recognisable worldwide.
Herrmann had a unique and trailblazing compositional style. His orchestrations were entirely original, daring and inventive; always appropriate for the context and subsequently incredibly influential in film scoring (Psycho is an obvious example of a totally new way to score a thriller). The bold selection of specific instrumental ensembles (his Psycho score was famed for being strings-only, and the infamous Torn Curtain featured 12 flutes) and choice of interesting combinations (harp and vibraphone in Vertigo, stopped horns and pizzicato strings in North by Northwest) challenged the status quo. Equally his experimentation of electronic instruments in scores was pioneering – the ondes Martenot in The Day The Earth Stood Still and amplified Moog synths in Sisters/Endless Nights brought sounds previously unheard to cinemas. He also went as far as to effect change in the performance style of players, requesting that players not play in the traditional, somewhat overblown nature that other Hollywood composers would traditionally employ.
He had a limitless curiosity and love of new music, championing the careers of several composers who became household names as a result of his hard work. His work as conductor of the CBS Symphony Orchestra, and the many radio broadcasts he made with them, helped to bring a huge and often little heard variety of music to a wide audience.
His was a truly individual voice and he stood firm against what he saw as the dilution of the art form and he continues to be massively respected and influential among film composers today.
So, of course, when the opportunity arose for Spitfire Audio to collaborate with his estate, we crumbled with excitement. We hope to have developed a unique library that provides working composers with a broad variety of new sounds and possibilities, albeit rooted in the genius of Herrmann and his approach to film scoring.

GUIS

THE OVERVIEW PANEL

Gives you a quick and easy way to access, view and load the different articulations, mic mixes and essential controller functions which you can then re-assign to suit your workflow.

GENERAL CONTROLS PANEL

A deeper but still simple UI panel that allows you to tweak the general settings. How many round robins you would like and how you would like them to behave. How would you like memory to be organised alongside pitch options and how velocity works.

THE OSTINATUM

Quite simply a little inspiration machine. Not quite an arpeggiator, not quite a sequencer. This intuitive device allows you to build up complex patterns that react to your playing to achieve wild systems results tantalising Zimmeresque tension beds or cheeky multi-tonguing effects!

MERCURY SYNTH

Included in the “advanced” folder are over 30 synth patches inspired by Herrmann’s use of sythesisers in combination with orchestral material. These can be controlled using our Mercury Synth GUI. It is an ingenious user interface that allows you to have instant fun without having to roll up your sleeves and go under the Kontakt hood. All of the controls are assignable to your control surface giving you the immediate ability to make our sounds your own.

Mercury–Waves Factory–Recensione

 

 

https://www.wavesfactory.com/mercury/

https://it.wikipedia.org/wiki/Metropolis_Studios

FREDDIE MERCURY’S FAZIOLI

Mercury is a grand piano sample library for Kontakt Player featuring a Fazioli F-228 recorded at Metropolis Studios in London.

One year in the making, taking care of the smallest details in order to make it perfect.

It’s considered by many one of the best piano sample libraries on the market.

THE CONCEPT

Fazioli pianos pursuit perfection. They’re sophistically delicate with a very rich low-end and a lot of body resonance.

Mercury was recorded by Grammy Award winning Paul B. Norris with 5 mic positions from ultra-close to room sound for maximum versatility. It sounds warm and very emotional. Perfect for intimate low-key tracks, but it’s also very punchy and aggressive on high velocities. A combination that you don’t find usually on piano libraries.

It has been captured with so much detail and depth that you can make it sound in a million different ways and still sound natural, but it will always retain the character. Mercury can be a big monster library or light-weighted since one microphone only uses ~300MB of RAM. With realism in mind and all the possible features that we could think of including soft pedalling, una corda, sostenuto, sympathetic resonance, microtuning…

Mercury will fit in every situation perfectly, and it will be an honour to know that it has become your go-to piano library.

Spitfire Symphonic Brass–Recensione

 

https://www.spitfireaudio.com/shop/a-z/spitfire-symphonic-brass/

After a decade of exhaustive sampling, and four years spent capturing our finest brass players, Spitfire are proud to present Symphonic Brass. It is a definitive collection of orchestral brass recorded at Air Studios, London. With a broad selection of different section sizes from solo to large groups of Trumpets, Horns & Trombones to featured instruments; with usual suspects such as Bass Trombones & Tubas, to zeitgeist weaponry such as Cimbassi, Contrabass Trombones and a new Contrabass Tuba.
Originally released in modules as part of the BML (British Modular Library) project, Spitfire Symphonic Brass is a rationalisation of these numerous, deep sampled components, along with many improvements, including a host of new articulations and new instruments. We’ve created a more affordable entry into what we believe to be the finest orchestral brass library available today.
To justify these claims we cite this small list of contributing factors:
• British brass players are arguably the best in the world.
• Spitfire has cherry picked the best of the best.
• Recorded to tape at Air Studios via an unparalleled signal path.
• Deepest articulation, dynamic layer, round robin set of brass samples we’ve yet to see
• Produced by an award winning team of composers, producers & engineers.
• Presented in an intuitive interface based on a decade of award-winning sampling experience and a quarter century as working composers.
With playing styles from heart rending choral work to blistering lip bleed material. Whether you’re an aspiring John Williams or a zealous Hans Zimmer-ite we have no doubt that their favourite players will find favour with you!

Background

From its collieries, through its jazz clubs, amongst the hundreds of pit bands, sitting proudly abreast at the Proms in the Albert Hall, through symphonic concerts to countless chamber spaces; The British Brass tradition runs through our country and culture like spinal fluid. Spitfire set about creating a definitive showcase of British Brass talent, a doomsday time capsule of this fine tradition.
Whilst there are many great orchestras around the world, there’s just something about British brass that keeps composers coming back, sometimes under the cover of darkness to record illicit “overdubbing” sessions in London. It is the rare combination of the colliery, jazz, West End and classical traditions that produce this swaggering melting pot of rarefied individuals.
Having already recorded a full brass choir for the infamous Spitfire ‘bespoke’ range. Paul, Christian, Stanley and the Spitfire team set about a longer term project to capture this spirit, the spine of our musical culture, for the world to share and celebrate.

Features

• A broad band covering solo, chamber, symphonic and cinematic instrument groups
• Traditional to modern ‘zeitgeist’ selection of instruments from Trumpets, Horns & Bones to Cimbassi & Contrabass Instruments
• Super deep sampled, many dynamic layers and round robins
• Most comprehensive selection of articulations, and additional techniques available today
• Entry level core pack has full functionality of BML offering
• Core pack shipped with 3 distinct mic positions C(lose), T(ree), A(mbient)
• New add on pack coming soon with additional mics and mixes
NEW IN SPITFIRE SYMPHONIC BRASS
• In addition to all articulations in BML, new ‘Volume 2’ articulations across the band.
• In addition to all instruments in BML, new members including Contrabass Tuba and solo trombones.
• New, more intuitive interface design
• New rationalised file architecture will allow for improvements and enhancements in the future
• Many tweaks, and performance / musical improvements

GUIs

The Overview Panel

Gives you a quick and easy way to access, view and load the different articulations, mic mixes and essential controller functions which you can then re-assign to suit your workflow.

General Controls Panel

A deeper but still simple UI panel that allows you to tweak the general settings. How many round robins you would like and how you would like them to behave. How would you like memory to be organised alongside pitch options and how velocity works.

The Ostinatum

Quite simply a little inspiration machine. Not quite an arpeggiator, not quite a sequencer. This intuitive device allows you to build up complex patterns that react to your playing to achieve wild systems results tantalising Zimmeresque tension beds or cheeky multi-tonguing effects!

Presets / Articulations / Mics / Mixes

Presets / Articulations
a – Horn Solo:
  • a – Horn Solo – Fall
  • a – Horn Solo – Long Flutter
  • a – Horn Solo – Long
  • a – Horn Solo – Rip
  • a – Horn Solo – Short Marcato
  • a – Horn Solo – Short Staccatissimo
  • a – Horn Solo – Short Staccato
  • a – Horn Solo – Short Tenuto
  • a – Horn Solo – Trill (Major 2nd)
  • a – Horn Solo – Trill (Minor 2nd)
b – Horns a2:
  • b – Horns a2 – Bells up Crotchet
  • b – Horns a2 – Bells up Long
  • b – Horns a2 – Bells up Quaver
  • b – Horns a2 – Bells up Staccatissimo
  • b – Horns a2 – Bells up Staccato
  • b – Horns a2 – Fall
  • b – Horns a2 – Long Cuivre
  • b – Horns a2 – Long Flutter
  • b – Horns a2 – Long Stopped
  • b – Horns a2 – Long
  • b – Horns a2 – Multitongue
  • b – Horns a2 – Rip
  • b – Horns a2 – Short Marcato
  • b – Horns a2 – Short Staccatissimo
  • b – Horns a2 – Short Staccato
  • b – Horns a2 – Short Tenuto
  • b – Horns a2 – Trill (Major 2nd)
  • b – Horns a2 – Trill (Minor 2nd)
c – Horns a6:
  • c – Horns a6 – Fall
  • c – Horns a6 – Fanfare
  • c – Horns a6 – Long Cuivre
  • c – Horns a6 – Long
  • c – Horns a6 – Multitongue
  • c – Horns a6 – Rip
  • c – Horns a6 – Short Marcato
  • c – Horns a6 – Short Staccato
  • c – Horns a6 – Short Tenuto
d – Tenor Trombone Solo:
  • d – Tenor Trombone Solo – Falls
  • d – Tenor Trombone Solo – Long Cuivre
  • d – Tenor Trombone Solo – Long Flutter Muted
  • d – Tenor Trombone Solo – Long Flutter
  • d – Tenor Trombone Solo – Long Muted
  • d – Tenor Trombone Solo – Long
  • d – Tenor Trombone Solo – Multitongue
  • d – Tenor Trombone Solo – Rips
  • d – Tenor Trombone Solo – Short Marcato Muted
  • d – Tenor Trombone Solo – Short Marcato
  • d – Tenor Trombone Solo – Short Staccato Muted
  • d – Tenor Trombone Solo – Short Staccato
  • d – Tenor Trombone Solo – Short Tenuto Muted
  • d – Tenor Trombone Solo – Short Tenuto
e – Tenor Trombones a2:
  • e – Tenor Trombones a2 – Falls
  • e – Tenor Trombones a2 – FX Gliss
  • e – Tenor Trombones a2 – Long Cuivre
  • e – Tenor Trombones a2 – Long
  • e – Tenor Trombones a2 – Multitongue
  • e – Tenor Trombones a2 – Rips
  • e – Tenor Trombones a2 – Short Marcato
  • e – Tenor Trombones a2 – Short Staccato
  • e – Tenor Trombones a2 – Short Tenuto
f – Bass Trombone Solo:
  • f – Bass Trombone Solo – Falls
  • f – Bass Trombone Solo – Long Cuivre
  • f – Bass Trombone Solo – Long Flutter
  • f – Bass Trombone Solo – Long
  • f – Bass Trombone Solo – Multitongue
  • f – Bass Trombone Solo – Rips
  • f – Bass Trombone Solo – Short Marcato
  • f – Bass Trombone Solo – Short Staccato
  • f – Bass Trombone Solo – Short Tenuto
g – Bass Trombones a2:
  • g – Bass Trombones a2 – Falls
  • g – Bass Trombones a2 – FX Gliss
  • g – Bass Trombones a2 – Long Cuivre
  • g – Bass Trombones a2 – Long
  • g – Bass Trombones a2 – Multitongue
  • g – Bass Trombones a2 – Rips
  • g – Bass Trombones a2 – Short Marcato
  • g – Bass Trombones a2 – Short Staccato
  • g – Bass Trombones a2 – Short Tenuto
h – Contrabass Trombone Solo:
  • h – Contrabass Trombone Solo – Falls
  • h – Contrabass Trombone Solo – Long Cuivre
  • h – Contrabass Trombone Solo – Long Stopped
  • h – Contrabass Trombone Solo – Long
  • h – Contrabass Trombone Solo – Rips
  • h – Contrabass Trombone Solo – Short CS
  • h – Contrabass Trombone Solo – Short Marcato
  • h – Contrabass Trombone Solo – Short Staccato
  • h – Contrabass Trombone Solo – Short Tenuto
i – Trombones a6:
  • i – Trombones a6 – Falls
  • i – Trombones a6 – Fanfare
  • i – Trombones a6 – Long Cuivre
  • i – Trombones a6 – Long
  • i – Trombones a6 – Multitongue
  • i – Trombones a6 – Rips
  • i – Trombones a6 – Short Marcato
  • i – Trombones a6 – Short Staccato
  • i – Trombones a6 – Short Tenuto
j – Trumpet Solo:
  • j – Trumpet Solo – FX Gliss
  • j – Trumpet Solo – Long Flutter
  • j – Trumpet Solo – Long Mariachi
  • j – Trumpet Solo – Long Muted
  • j – Trumpet Solo – Long
  • j – Trumpet Solo – Multitongue
  • j – Trumpet Solo – Short Marcato Muted
  • j – Trumpet Solo – Short Marcato
  • j – Trumpet Solo – Short Staccato Muted
  • j – Trumpet Solo – Short Staccato
  • j – Trumpet Solo – Short Tenuto Muted
  • j – Trumpet Solo – Short Tenuto
  • j – Trumpet Solo – Trill (Major 2nd)
  • j – Trumpet Solo – Trill (Minor 2nd)
k – Trumpets a2:
  • k – Trumpets a2 – Falls
  • k – Trumpets a2 – Long Mariachi
  • k – Trumpets a2 – Long Muted
  • k – Trumpets a2 – Long
  • k – Trumpets a2 – Multitongue
  • k – Trumpets a2 – Rips
  • k – Trumpets a2 – Short Marcato
  • k – Trumpets a2 – Short Staccato
  • k – Trumpets a2 – Short Tenuto
  • k – Trumpets a2 – Trill (Major 2nd)
  • k – Trumpets a2 – Trill (Minor 2nd)
l – Trumpets a6:
  • l – Trumpets a6 – Fall
  • l – Trumpets a6 – Fanfare
  • l – Trumpets a6 – Long Cuivre
  • l – Trumpets a6 – Long
  • l – Trumpets a6 – Multitongue
  • l – Trumpets a6 – Rip
  • l – Trumpets a6 – Short Marcato
  • l – Trumpets a6 – Short Staccato
  • l – Trumpets a6 – Short Tenuto
m – Tuba Solo:
  • m – Tuba Solo – Falls
  • m – Tuba Solo – Long Stopped
  • m – Tuba Solo – Long
  • m – Tuba Solo – Rips
  • m – Tuba Solo – Short Marcato
  • m – Tuba Solo – Short Staccato
  • m – Tuba Solo – Short Stopped
  • m – Tuba Solo – Short Tenuto
n – Contrabass Tuba Solo:
  • n – Contrabass Tuba Solo – Falls
  • n – Contrabass Tuba Solo – Long
  • n – Contrabass Tuba Solo – Rips
  • n – Contrabass Tuba Solo – Short Marcato
  • n – Contrabass Tuba Solo – Short Staccato
  • n – Contrabass Tuba Solo – Short Tenuto
o – Cimbasso Solo:
  • o – Cimbasso Solo – Falls
  • o – Cimbasso Solo – Long Cuivre
  • o – Cimbasso Solo – Long
  • o – Cimbasso Solo – Rips
  • o – Cimbasso Solo – Short Marcato
  • o – Cimbasso Solo – Short Staccato
  • o – Cimbasso Solo – Short Tenuto
p – Cimbassi a2:
  • p – Cimbassi a2 – Falls
  • p – Cimbassi a2 – Long Alt
  • p – Cimbassi a2 – Long Cuivre
  • p – Cimbassi a2 – Long
  • p – Cimbassi a2 – Rips
  • p – Cimbassi a2 – Short Marcato
  • p – Cimbassi a2 – Short Staccato
  • p – Cimbassi a2 – Short Tenuto
Legato techniques:
  • a – Horn Solo – Legato
  • b – Horns a2 – Legato
  • c – Horns a6 – Performance Legato
  • d – Tenor Trombone Solo – Legato (coming soon in FREE update)
  • e – Tenor Trombones a2 – Legato
  • f – Bass Trombone Solo – Legato (coming soon in FREE update)
  • g – Bass Trombones a2 – Legato
  • i – Trombones a6 – Performance Legato
  • j – Trumpet Solo – Legato
  • k – Trumpets a2 – Legato
  • l – Trumpets a6 – Performance Legato
  • m – Tuba Solo – Legato
Mics & Mixes
Mics:
  • C – Close
  • T – Tree
  • A – Ambient

KONTROL MK2 e MASCHINE MK3 Native Instruments

MIDI MUSIC HEADER

NOVITA' NATIVE INSTRUMENTS

Scopri le nuove KOMPLETE KONTROL MK2, clicca qui.

SMART KEYBOARD CONTROLLER

  • Get hands-on with all your virtual instruments
  • Pro-grade 49 or 61–key Fatar keybed
  • Two high-res color screens and Light Guide for at-a-glance visual feedback
  • Deep integration with MASCHINE, plus intuitive DAW control

MADE TO BE PLAYED

With the latest generation of KOMPLETE KONTROL, music-making becomes a more intuitive, hands-on experience. Perform expressively, browse and preview sounds, tweak parameters, sketch your ideas, then navigate and mix your project – all from one fully integrated centerpiece for studio and stage.

More visual

Two high-res color screens make it easy to browse and preview sounds, tweak controls, and mix and edit your projects – right from the hardware.

More intuitive

Get hands-on with your production process, thanks to an improved layout with more dedicated function buttons and a new four-directional push encoder.

More expressive

KOMPLETE KONTROL S49 and S61 now sport ergonomic pitch and mod wheels, plus a touch strip for expanded creative possibilities.

More integration

Mix, edit, and more in MASCHINE, Logic, Ableton Live, and GarageBand. Advanced functionality for Cubase and Nuendo coming late 2017.

IMMERSIVE VISUAL FEEDBACK

See everything you need, when you need it, where you need it: Two high-res color screens provide essential information on sounds and projects, backlit function buttons vary in color and intensity to indicate their state, and the precision Light Guide pinpoints the location of sounds, key zones, switches, scales, and more.

FIND YOUR SOUNDS FASTER

Finding the right sound amongst a sprawling sound library can be difficult, not to mention time consuming.

Now you can find exactly what you’re looking for across all KOMPLETE and Native Kontrol Standard (NKS) instruments using a simple, intuitive tagging system – directly from the hardware.What’s more, you can hear an instant preview of each sound as you browse.
Need a hip hop kit? Select Drums > Urban Drum Kit > Sample-based, scroll through the presets and pick the right one for your track. If you really like what you hear, just tag it as a Favorite for instant access next time.

11 INSTRUMENTS AND EFFECTS INCLUDED

Register your KOMPLETE KONTROL hardware to download KOMPLETE 11 SELECT for free – the essential collection of instruments and effects, including MASSIVE, MONARK, and THE GENTLEMAN. The package features more than 2,500 sounds and over 25 GB of instruments and effects, giving you the perfect palette of sounds for any genre.
And when you’re ready to expand your collection, you’ll be eligible for a discounted upgrade to KOMPLETE 11 or KOMPLETE 11 ULTIMATE.

Scopri la nuova MASCHINE MK3, clicca qui.

Maschine MK 3

PRODUCTION AND PERFORMANCE SYSTEM

  • Fast, intuitive, and fun way to create and perform tracks and beats
  • Integrated hardware / software system includes sampler, arranger, mixer, FX, and a built-in audio interface
  • Includes MASCHINE 2.0 software and sound library plus KOMPLETE 11 SELECT
BUILT FOR SPEED

MASCHINE lets you effortlessly produce beats, melodies, and harmonies with powerful drum synths, premium sounds, an integrated sampler, and more – cutting-edge software meets intuitive hardware for ultra-smooth workflow.

More visual

Two high-res color screens make it easy to slice samples, browse and preview sounds, tweak FX, and mix and edit your projects – without looking at your computer.

More intuitive

Stay in the creative zone with a truly hands-on, optimized layout with more dedicated function buttons and a new four-directional push encoder.

More expressive

Find new ways to express yourself with MASCHINE’s Smart Strip – use it like a pitchwheel to bend sounds, experiment with perform FX, or strum sounds like a guitar.

More convenient

USB-powered and packed with a built-in, pro-grade 96 kHz / 24-bit audio interface, you can record, play, and perform from anywhere.

PLAY TO YOUR OWN BEAT

MASCHINE’s 16 ultra-responsive pads makes it fun and easy to play. In Pad mode, drum in beats or lightly brush sounds on the 16 ultra-responsive pads. Switch to Keyboard mode and play like a piano. And in Step mode, program sounds precisely where you want them, and automate pitch, volume, LFO, or any other parameter step by step for incredibly intricate and musical results in record time.

BROWSE SOUNDS WITHOUT BREAKING THE FLOW

MASCHINE’s ultra-fast, tag-based browser gives your creativity no time to slow down. Use MASCHINE’s two full-color display screens plus the 4-directional push encoder to quickly find any project, group, sound, instrument, effect or sample. Then simply load it and go.

A WORLD OF SOUND

MASCHINE comes with an acclaimed 8 GB library of high-quality samples, sliced loops, drum kits, instruments, patterns, and projects right out of the box. Plus, it also includes KOMPLETE 11 SELECT – 11 premium instruments like, MASSIVE and MONARK, and effects – for a sonic palette as vast as your imagination.

Disponibili a partire dal 5 Ottobre, prenotali ora presso il tuo rivenditore di fiducia.

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Via Bobbio, 21 – 10141 TORINO  

Sonuscore–The Orchestra

https://sonuscore.com/shop/the-orchestra/

The Orchestra, header

The Orchestra is a revolutionary all-in-one 80 player orchestral library whose heart is our breakthrough Ensemble-Engine that empowers you to convert your ideas into music. Simple and incredibly fast.

Sonuscore: “We found a way to revolutionize your way of composing complex orchestrated music. Its a new simplicity, a more natural approach to cope with multifaceted orchestral colors and rhythms.”


​The idea behind The Orchestra

Orchestral libraries have become more and more complex over the last years. Developers captured every nuance of symphonic orchestras in countless different articulations. But with a tight deadline, having endless possibilities is not necessarily a good thing.

With this library, Sonuscore brings to life a simplistic approach to orchestral composition, giving you both innovative tools to create quick ensemble sketches with minimal effort or write complex orchestral arrangements in all detail.

Paint your orchestral canvas in as broad or as detailed strokes as you want.

Your ideas, your music – all in one instrument.

complete orchestra
The core – The ensemble engine

The Ensemble Engine works through a number of independent arpeggiators and velocity envelopes, heavily inspired by our Sonuscore Origins-Series. Create pulsating rhythms and even inspiring full arrangements from any combination of notes. All of this without relying on prerecorded phrases – you have the full control. It will work, no matter what chord or note you play.
With minimum loading times, a vast amount of presets provides you with full ensemble colors right out of the box.

  • Independent arpeggiators and velocity envelopes create vivid and powerful orchestral colors.
  • Load up to 5 different instruments in independent slots and play them together.
main screen
Compose faster with full instrumental groups

Choose from 150 presets in three categories:

  • Orchestral Colors
    The Orchestral Colors presets are practical combinations of instruments that can be played live on your keyboard.
  • Orchestral Rhythms
    The Orchestral Rhythms contain simple, useful playable patterns for separate sections of the orchestra that make use of our Ensemble Engine.
  • Animated Orchestra
    The animated orchestra presets go even further, and create complex orchestrated rhythms from any played note. This is where the magic happens!

mallets

GUIs
Play the instruments freely:

Play your ideas and your melodies freely with the single instrument patches.
Aside from the Ensemble Instrument, The Orchestra also contains 88 single instrument patches for all standard sections and articulations in a symphonic orchestra, including percussion and as a bonus: choir.

Or unlash the full orchestral power with over 60 multi-track patches:

Multis take the Ensemble Engine even further toward instant playability and sound as they load and layer multiple instances of The Orchestra.
There are Full Orchestral Multis for single articulations, that work perfectly for quick sketching and layering.
Animated Multis combine multiple instances of the Ensemble Engine for even more complex patterns.

The samples: rough & edgy – no polished sound:

The Orchestra was recorded and processed with the intention to sound a bit rougher and more “honest” than the common orchestral Hollywood sound. It offers an alternative and promises straight and powerful sounds, punch and a vivid musical experience.

recording studio

The instruments for The Orchestra were recorded in Budapest at the renowned Studio 22 in their traditional seating position and mixed and edited with great attention to detail. This way the different sections blend together perfectly in the same room. All essential articulations are available, including playable true legato samples and multiple round robins for short articulations.

Key features:
  • Breakthrough Ensemble Engine
  • Play freely or create stunning orchestral colors with simple chords
  • Complete set of standard articulations for all instruments
  • True Legato Interval Sampling
  • 150 ready-to-go ensemble presets
  • 60 Multi-Rack Patches
  • 6.85GB lossles compressed data
  • 16500+ individual Samples
  • fast loading times
  • min. Kontakt Player 5.6.8 required

recording collage

The Orchestra: The power of a full orchestra at the tip of your fingers

The Orchestra was developed for Best Service by SonusCore / Dynamedion, the makers of Trinity Drums as well as NI Action Strings, Action Strikes and Emotive Strings.

DynamedionDynamedion was founded in 2000 by Tilman Sillescu and Pierre Langer, two composers with university degrees in music. With a steadily increasing number of contracts and growing customer base it has since become a leader in soundtrack composition and sound design on the European computer game market. In 2005 Dynamedion produced highly successful, first benchmark live orchestra recordings for a German game soundtrack, setting the standard for large-scale projects in the industry. With numerous further orchestral productions for the video game industry, Dynamedion has earned itself a reputation for unsurpassed quality and integrity in this area.

Recensione Ancient Era Persia by Best Service

 

https://www.bestservice.de/en/ancient_era_persia.html

Ancient ERA Persia – The Sound of Fairy Tales in Ancient Orient
A collection of sounds from forgotten places of the middle east.
Create your own melodies with 28 (!) fully playable instruments, deep sampled, with true legato and glissandi, different dynamics and lots of articulations

Once again, Eduardo Tarilonte seduces you into almost forgotten sounding worlds. This time, he moves to capture the sounds of the birthplace of magic and mystic of some of the oldest civilizations. Experience arcane sounds such as being heard in Arabian Nights, the soundtrack of desert sand trickling away in time and music that makes the Prince of Persia dance.

Following his works of Forest Kingdom, Desert Winds, Epic World and ERA Medieval Legends, Eduardo Tarilonte has dedicated this library to the sound of the ancient orient: Ancient ERA Persia.

GUI and Box

Ancient ERA Persia was created over a period of two years and comes as an extensive library with popular and less known instruments from the Middle East inspiring your fantasy by its touching sounds.

Therefore, this library is the best possible choice for movie soundtracks and television documentaries of this region. At the same time, the library is suited for traditional music productions and also provides a perfect background for games taking place in the Middle East.

For Ancient ERA Persia, Eduardo Tarilonte has recorded 28 percussion-, wind- and stringed-instruments in highest quality and finest detail. In addition, you will find authentically performed phrases as well as inspiring sound atmospheres. The instruments offer all articulations being used in the phrases. Several microtunings allow the use of every desired tuning for the instruments.

video demos

Just for the percussions, there are 1.000 loops in different tempos and rhythms beside the playable instruments.

percussion instruments

Ancient ERA Persia brings the sounds and musical atmosphere of the Middle East, as it sounded in former times, into the modern DAW-supported production environment. The carefully programmed user-interface of the Engine player allows easy and fast work with this library in a way that musicians can be inspired by the sounds and fully unfold their creativity.

Ancient ERA Persia is suited for different applications and genres. The spectrum covers scoring for antique compositions with authentic timbres, fantasy-games, movie soundtracks and new age songs.

The sounds of Ancient ERA Persia are really unique and cannot be found in any other library. The excellent choice of instruments, articulations and sound atmospheres provides the musician and producer with an extensive compendium with as good as no sound missing.

In detail, Ancient ERA Persia contains:

carpetPercussion

  • Bendhir
  • Daf 
  • Darbuka 
  • Davul
  • Dayre
  • Riq
  • Riq plastic
  • Tombak

Wind:

  • Turkish Mey High
  • Turkish Mey Low (combined in a single instrument)
  • Turkish Clarinet
  • Kaval
  • Turkish Ney
  • Persian Ney
  • Zourna
  • Duduk

Strings bowed:

  • Turkish Violin
  • Lyra 1
  • Lyra 2

Strings plucked:

  • Kopuz
  • Dutar
  • Santur
  • Oud
  • Baglama Big
  • Baglama Small
  • Tambur
  • Rabab
  • Tar

The instruments of this 17 gigabytes spanning library consist of extensive multisamples (24 bit, 44.1kHz) with several dynamic layers, multiple articulations, round-robins as well as real legato- and glissando-samples.

recordings

Ancient ERA Persia was recorded at Eldana Studios in Dueñas, Spain by Jorge Calderón and Eduardo Tarilonte. All instruments have been played by virtuosos of the subject including Efrén López, Michalis Kouloumis, Stellios Petrakis, Jerome Salomon and Iván Karlón.

For the recording of the instruments, selected Kahayan U47- and Neumann U87-microphones were used with API-preamplifiers and Kahayan Epsilon summing amplifiers. In this library, the instruments were being captured intentionally close without significant room ambience, giving the user full control of the following sound-design and effect selection. This is why the sounds of Ancient ERA Persia may easily be combined with other libraries of Eduardo Tarilonte.


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