Embertone Joshua Bell Violin Recensione



Embertone set out to create a new standard in virtual solo strings, offering plenty of inspiration without sacrificing flexibility… and with the unmistakable, iconic sound of internationally acclaimed violinist Joshua Bell.

The instrument offers a huge variety of standard articulations, like sustains, pizzicatos, staccatos, spiccatos, and more, along with a number of sample sets you’re not likely to find anywhere else. Joshua performed an incredible set of eerie harmonics transitions, and a set of “ultra-flautando”, a special technique he can harness from his 300+ year-old violin.

Though this VI is incredibly complex, featuring almost 20,000 individual samples, it’s designed to be simple to use. Play it straight out of the box and it will inspire and surprise you! This virtual violin utilizes intelligent and predictive programming using a diverse array of musical tendencies and rule sets. And with 12 complete “legato”/transition types, you can perform the Joshua Bell violin at various tempos, dynamics, in different styles, while retaining an authentic performance!

Grammy® winner Joshua Bell is one of the most celebrated winning violinists of his era, and his restless curiosity, passion, and multi-faceted musical interests are unparalleled in the world of classical music. With more than 40 CDS recorded of classical repertoire as well as soundtracks including the Oscar® winning score for The Red Violin, Bell has been embraced by wide television audiences with appearances ranging from The Tonight Show, Tavis Smiley, Charlie Rose, to CBS Sunday Morning and Sesame Street. He was one of the first classical artists to have a music video on VH1 and he was the subject of a BBC Omnibus documentary.

Bell has appeared in publications ranging from The Strad and Gramophone to Time, The New York Times, People Magazine’s 50 Most Beautiful People, USA Today, The Wall Street Journal, GQ, Vogue and Reader’s Digest among many. Bell performs on the world’s most precious stages from Carnegie Hall 33 times to the Hollywood Bowl with his 1713 Huberman Stradivarius violin and his late 18th century French bow by François Tourte.

The 1713 ‘Huberman’ Stradivari violin now owned by Joshua Bell has a thrilling history. Formerly known as the ‘Gibson’ Strad, the violin was twice stolen from the Polish violinist Bronislaw Huberman and for nearly 50 years remained undiscovered in plain sight, disguised by its thief – a café violinist named Julian Altman who made a deathbed confession to his wife.

After Altman’s death, his wife had the violin authenticated and reported to the proper authorities. The fiddle was then sold to Norbert Brainin, an acclaimed English violinist, who later decided to sell the violin to a dealer who had an investor eyeing it for a museum piece. Then Joshua stepped in, showing great empathy for its rightful owner, Bronislaw Huberman, who had passed away in 1947, and for the instrument which he felt must be played.

In Bell’s words, “The idea of the violin resting silently in a vault made me ill. This was an instrument meant to be played, not just admired.” He purchased the violin for nearly $4 million, selling his own $2 million 1732 Tom Taylor Strad in the process. The rest is history, and Joshua uses the instrument exclusively to this day!


Spitfire–Bernard Hermann Composer Toolkit–Recensione





€509 inc VAT

Spitfire’s first dry scoring stage ensemble library, inspired by the electric genius of Bernard Herrmann. Renowned for his groundbreaking scores including Citizen Kane, Journey to the Centre of the Earth, Psycho, Vertigo and Taxi Driver, his legacy continues to inspire the work of composers today. We’ve worked exclusively with Bernard Herrmann’s estate to curate and assemble a unique set of studio orchestra ensembles, informed directly by the composer’s legendary orchestration aesthetic. Recorded at Studio 1 Air Lyndhurst by Simon Rhodes (Avatar, Grand Budapest Hotel, Spectre, Harry Potter, There Will Be Blood), we’ve captured players performing as Herrmann would have had them – boisterous, lively and upfront, with patches featuring selected groups, unusual instrumental combis, chords, effects and much more. Fire-up this versatile Toolkit for lively and distinctive scoring.

  • 186742 SAMPLES
  • KONTAKT VERSION REQUIREMENTSKontakt Player 5.5 or higher


Bernard Herrmann is one of the great modern composers. His work for TV and film is nothing short of iconic, and is truly synonymous with mid-20th Century cinema. Collaborating with Orson Welles on Citizen Kane, Martin Scorsese on Taxi Driver, and in long-term partnership with Alfred Hitchcock for scores such as Vertigo, Psycho, The Birds, Marnie and beyond, the sheer magnitude of critical works produced is breathtaking. Not only did his work cause significant impact on culture at the time, but more recently those works have been used to invigorate contemporary scores, for example the use of the Twisted Nerve theme in Quentin Tarantino’s Kill Bill – an eerie whistle which is now instantly recognisable worldwide.
Herrmann had a unique and trailblazing compositional style. His orchestrations were entirely original, daring and inventive; always appropriate for the context and subsequently incredibly influential in film scoring (Psycho is an obvious example of a totally new way to score a thriller). The bold selection of specific instrumental ensembles (his Psycho score was famed for being strings-only, and the infamous Torn Curtain featured 12 flutes) and choice of interesting combinations (harp and vibraphone in Vertigo, stopped horns and pizzicato strings in North by Northwest) challenged the status quo. Equally his experimentation of electronic instruments in scores was pioneering – the ondes Martenot in The Day The Earth Stood Still and amplified Moog synths in Sisters/Endless Nights brought sounds previously unheard to cinemas. He also went as far as to effect change in the performance style of players, requesting that players not play in the traditional, somewhat overblown nature that other Hollywood composers would traditionally employ.
He had a limitless curiosity and love of new music, championing the careers of several composers who became household names as a result of his hard work. His work as conductor of the CBS Symphony Orchestra, and the many radio broadcasts he made with them, helped to bring a huge and often little heard variety of music to a wide audience.
His was a truly individual voice and he stood firm against what he saw as the dilution of the art form and he continues to be massively respected and influential among film composers today.
So, of course, when the opportunity arose for Spitfire Audio to collaborate with his estate, we crumbled with excitement. We hope to have developed a unique library that provides working composers with a broad variety of new sounds and possibilities, albeit rooted in the genius of Herrmann and his approach to film scoring.



Gives you a quick and easy way to access, view and load the different articulations, mic mixes and essential controller functions which you can then re-assign to suit your workflow.


A deeper but still simple UI panel that allows you to tweak the general settings. How many round robins you would like and how you would like them to behave. How would you like memory to be organised alongside pitch options and how velocity works.


Quite simply a little inspiration machine. Not quite an arpeggiator, not quite a sequencer. This intuitive device allows you to build up complex patterns that react to your playing to achieve wild systems results tantalising Zimmeresque tension beds or cheeky multi-tonguing effects!


Included in the “advanced” folder are over 30 synth patches inspired by Herrmann’s use of sythesisers in combination with orchestral material. These can be controlled using our Mercury Synth GUI. It is an ingenious user interface that allows you to have instant fun without having to roll up your sleeves and go under the Kontakt hood. All of the controls are assignable to your control surface giving you the immediate ability to make our sounds your own.

Sonuscore–The Orchestra


The Orchestra, header

The Orchestra is a revolutionary all-in-one 80 player orchestral library whose heart is our breakthrough Ensemble-Engine that empowers you to convert your ideas into music. Simple and incredibly fast.

Sonuscore: “We found a way to revolutionize your way of composing complex orchestrated music. Its a new simplicity, a more natural approach to cope with multifaceted orchestral colors and rhythms.”

​The idea behind The Orchestra

Orchestral libraries have become more and more complex over the last years. Developers captured every nuance of symphonic orchestras in countless different articulations. But with a tight deadline, having endless possibilities is not necessarily a good thing.

With this library, Sonuscore brings to life a simplistic approach to orchestral composition, giving you both innovative tools to create quick ensemble sketches with minimal effort or write complex orchestral arrangements in all detail.

Paint your orchestral canvas in as broad or as detailed strokes as you want.

Your ideas, your music – all in one instrument.

complete orchestra
The core – The ensemble engine

The Ensemble Engine works through a number of independent arpeggiators and velocity envelopes, heavily inspired by our Sonuscore Origins-Series. Create pulsating rhythms and even inspiring full arrangements from any combination of notes. All of this without relying on prerecorded phrases – you have the full control. It will work, no matter what chord or note you play.
With minimum loading times, a vast amount of presets provides you with full ensemble colors right out of the box.

  • Independent arpeggiators and velocity envelopes create vivid and powerful orchestral colors.
  • Load up to 5 different instruments in independent slots and play them together.
main screen
Compose faster with full instrumental groups

Choose from 150 presets in three categories:

  • Orchestral Colors
    The Orchestral Colors presets are practical combinations of instruments that can be played live on your keyboard.
  • Orchestral Rhythms
    The Orchestral Rhythms contain simple, useful playable patterns for separate sections of the orchestra that make use of our Ensemble Engine.
  • Animated Orchestra
    The animated orchestra presets go even further, and create complex orchestrated rhythms from any played note. This is where the magic happens!


Play the instruments freely:

Play your ideas and your melodies freely with the single instrument patches.
Aside from the Ensemble Instrument, The Orchestra also contains 88 single instrument patches for all standard sections and articulations in a symphonic orchestra, including percussion and as a bonus: choir.

Or unlash the full orchestral power with over 60 multi-track patches:

Multis take the Ensemble Engine even further toward instant playability and sound as they load and layer multiple instances of The Orchestra.
There are Full Orchestral Multis for single articulations, that work perfectly for quick sketching and layering.
Animated Multis combine multiple instances of the Ensemble Engine for even more complex patterns.

The samples: rough & edgy – no polished sound:

The Orchestra was recorded and processed with the intention to sound a bit rougher and more “honest” than the common orchestral Hollywood sound. It offers an alternative and promises straight and powerful sounds, punch and a vivid musical experience.

recording studio

The instruments for The Orchestra were recorded in Budapest at the renowned Studio 22 in their traditional seating position and mixed and edited with great attention to detail. This way the different sections blend together perfectly in the same room. All essential articulations are available, including playable true legato samples and multiple round robins for short articulations.

Key features:
  • Breakthrough Ensemble Engine
  • Play freely or create stunning orchestral colors with simple chords
  • Complete set of standard articulations for all instruments
  • True Legato Interval Sampling
  • 150 ready-to-go ensemble presets
  • 60 Multi-Rack Patches
  • 6.85GB lossles compressed data
  • 16500+ individual Samples
  • fast loading times
  • min. Kontakt Player 5.6.8 required

recording collage

The Orchestra: The power of a full orchestra at the tip of your fingers

The Orchestra was developed for Best Service by SonusCore / Dynamedion, the makers of Trinity Drums as well as NI Action Strings, Action Strikes and Emotive Strings.

DynamedionDynamedion was founded in 2000 by Tilman Sillescu and Pierre Langer, two composers with university degrees in music. With a steadily increasing number of contracts and growing customer base it has since become a leader in soundtrack composition and sound design on the European computer game market. In 2005 Dynamedion produced highly successful, first benchmark live orchestra recordings for a German game soundtrack, setting the standard for large-scale projects in the industry. With numerous further orchestral productions for the video game industry, Dynamedion has earned itself a reputation for unsurpassed quality and integrity in this area.

Recensione Spitfire Symphonic Strings

Clicca il seguente link per ascoltare dei demo audio



Every articulation for every section plus ensembles formerly available in Mural volumes 1, 2, 3 & Ensembles in a single encyclopaedic compendium:
• 175 articulations, including 59 shorts, 94 longs, & 45 legatos
• 60 Top London string players
• Recorded in situ (ie: in the positions they occupy in a scoring session)
• Recorded using priceless valve and ribbon mics
• Neve Montserrat Pre-amps into a Neve 88R desk
• Recorded digitally at 96k via 2″ Studer tape
• Deep sampled with multiple dynamic layers and round robins
• Diverse and detailed with essential, additional and some totally unique articulations
• Legatos designed by Andrew Blaney
• Individual sections and ensembles
• 3 essential, diverse and most favoured mic positions: C(lose), T(ree), A(mbient)
• Kontakt Player included
• NKS-ready
• New intuitive GUI with inline help system
• As used by A-list composers and producers around the globe!

Presets / Articulations

Swing ! Project Sam Recensione




Key features

  • Big band ensemble articulations
  • Brass section mutes and solo instruments
  • Beautiful solo mute trumpet legatos
  • Sax ensemble articulations
  • Rhythm section includes guitars, basses and jazz drums
  • Greatly playable lead instruments
  • Includes tempo sync guitar and drum grooves
  • Script intelligently switches to half or double tempo
  • All sounds blend together marvellously
  • On-screen velocity and modwheel mapping info
  • Works with Kontakt Player
  • Native Kontrol Standard support
  • 35 GB library (uncompressed, takes up 18.5 GB on disk)

1.2 update
Swing! has just been updated to version 1.2, offering microphone output routing, various fixes and improvements as well as an refreshed design. This is a free update for all registered Swing! users.

Native Kontrol Standard support

Swing! supports the Native Kontrol Standard, which means full integration with Native Instruments Komplete Kontrol and Maschine hardware and software.

Recensione–VST RINASCIMENTO–Strumenti Medioevali e Rinascimentali


Rinascimento features 3 bowed string instruments, 2 brass instruments, 8 reed instruments, 5 recorders of different sizes, 2 other kind of flutes, 7 kind of lute instruments (with a auto-strumming engine), 5 percussion, harpsichord, virginal, a positive organ and a complete organ with 10 registers.
All the non-polyphonic instruments feature full sustained legato transitions and staccato and there is a special and unique scripting engine for some complex instruments like the hurdy gurdy, the percussion, the organ or the lutes. 


  • 36  Renaissance and Medieval instruments
  • 29 gb installed (compressed in NCW format)
  • 3 Mic Positions
  • Sampled in a warm hall
  • 24 bit / 48 kHz stereo
  • 20 legato instruments
  • Auto-Strummer for Lute instruments
  • 4 RRs for Staccato and Plucked Instruments
  • Custom scripting for the Hurdy Gurdy, Zampogna, Organ and Percussion
  • Sleepless nights of editing and scripting