Happy Holideals 2017! Ik Multimedia

Regalati un Black Friday indimenticabile. Fino al 30/11, prezzi pazzi su SampleTank MAX, Syntronik, MODO BASS, Miroslav Philharmonik 2, Total Studio MAX e molto di più.

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Holideals

SampleTank MAX ad un prezzo irripetibile.

Oltre 4600 strumenti di alta qualità e 52 GB di campioni. Crea e componi senza limiti. La nostra celebre workstation di suoni e groove tua da soli 149,99€. Risparmia il 50%

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SampleTank MAX

-25% su Syntronik – Il tuo synth studio definitivo.

Crossgrade da soli 149,99€ ! Con il nuovo aggiornamento alla versione 1.1 ora la nostra synth powerhouse è ancora più versatile.

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Syntronik Mac/PC

MODO BASS ad un prezzo mai visto.

Se esiste un basso virtuale in grado di mettere fine alla tua spasmodica ricerca di uno strumento realistico, il pluripremiato MODO BASS è la risposta definitiva a tutte le tue domande. Effettua il crossgrade a soli 129,99€ e risparmia il 35%!

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MODO BASS

-50% su Miroslav Philharmonik 2

Crea mock-up orchestrali realistici ed espressivi, componi per film, videogames, TV e molto di più. Miroslav Philharmonik 2 tua da soli 149,99€.

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Miroslav Philharmonik 2

-50% su Total Studio MAX.

Effettua l’upgrade alla soluzione definitiva per il tuo studio, risparmiando la metà!
A partire da soli 249,99€.

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Total Studio MAX
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Promo valida fino al 30 Novembre 2017. I prezzi visualizzati si intendono IVA esclusa.
Per maggiori informazioni sulla promo, visita il nostro sito.

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Cubase pro 9.5

Steinberg

Out now: Cubase 9.5 with amazing new features

Cubase 9.5 dramatically enhances and expands your favorite digital audio workstation. Among the stunning new features and improvements: A new pristine 64-bit floating-point mixing engine for even more sonic detail. Ultra-precise automation curves that let you work faster and more creatively with automation. A vastly expanded new Click feature that always follows your lead. And that’s just for starters.
Find out more about the myriad ways Cubase 9.5 nurtures inspiration at every stage of your creative process.

 


Learn more about Cubase 9.5


Buy your update to Cubase 9.5

Recensione Dorico Steinberg

 

https://www.steinberg.net/en/products/dorico/start.html

Dorico fornisce la funzionalità di inserimento nota e l’editing più flessibile di qualsiasi applicazione di scrittura musicale, compresa la capacità di lavorare completamente in “open meter” o di ridividere in battute porzioni di musica esistente, pur mantenendo una notazione ritmica chiara e inequivocabile a tutti i tempi.

Solo Dorico permette ai compositori di sperimentare liberamente con le idee musicali, inserendo ad esempio porzioni di musica all’interno di un passaggio esistente, o permettendo di cambiare la durata delle note esistenti, avendo comunque e sempre una notazione corretta prodotta automaticamente dopo ogni passaggio.

L’applicazione fornisce inoltre funzionalità uniche per la gestione dei progetti, consentendo agli utenti di produrre facilmente lavori con un numero illimitato di righi e movimenti, sezioni o pezzi all’interno dello stesso progetto. Dorico facilita la creazione di vari layout indipendentemente dalle dimensioni della pagina, del dei righi e dellayout del sistema, il tutto alimentato da un sistema di gestione della pagina di alta qualità.

L’ output grafico di Dorico ha lo scopo di sostenere l’arte secolare della scrittura musicale raffinata con attenzione anche per il più piccolo dei dettagli. Prendendo ogni sottigliezza in considerazione, Dorico si propone di soddisfare le esigenze estetiche degli scrittori musicali più esigenti e degli editori, fornendo funzionalità estese per la messa a punto grafica e l’editing.

shot-mendelssohn

L’architettura multi-threaded di Dorico rende il software fluido e reattivo, anche quando si lavora a progetti di grandi dimensioni. Basandosi sul pluripremiato motore audio Steinberg, Dorico viene fornito con una sontuosa serie di strumenti VST ed effetti, tra cui HALion Sonic SE e l‘intera libreria HALion Symphonic Orchestra.

Daniel Spreadbury, Product Marketing Manager di Steinberg, ha commentato: “Dopo aver lavorato su Dorico per più di tre anni, siamo lieti di annunciare finalmente il suo nome e la prossima disponibilità. Tutti noi del team Dorico ci siamo dedicati a costruire il migliore, più bello e più utile strumento per lavorare con la notazione musicale, e continueremo a lavorare sodo per il prossimi mesi per perfezionare l’applicazione prima che la prima versione sia disponibile per tutti così chè possiate giudicare voi stessi. Questo è solo l’inizio del viaggio, e non vediamo l’ora di lavorare con la nostra comunità di utenti per continuare a modellare Dorico e farlo diventare lo strumento ideale per comporre, arrangiare e pubblicare musica “.

Slur-properties-

“Siamo lieti che una squadra di tutto rispetto di sviluppatori si è unita alla famiglia Steinberg. Combinando la nostra esperienza saremo in grado di fornire una gamma ancora più ampia di potenti soluzioni per i nostri clienti “, ha dichiarato Frank Simmerlein, direttore marketing per Steinberg.

Disponibilità e prezzi

Soundmit 2017: Clinics con Cubase pro 9 e WaveLab Pro 9.5

steinberg

Clinics sulla produzione e mix con Cubase Pro 9 e WaveLab Pro 9.5

Siamo lieti di informarvi che saremo presenti al Soundmit, dove avremo un stand con i nostri prodotti hardware e tutti i software. Sara’ l’occasione per provare anche Cubase, Dorico e il nuovissimo WaveLab 9.5.
Il nostro Product Specialist e Education Development Franco Fraccastoro terra’ due Clinics gratuite sulla produzione e mix con Cubase e sul nuovissimo WaveLab 9.5 (Sabato ore 16.00 e Domenica ore 14.00).
Inoltre terremo un corso di music production con Cubase a pagemento. Il Soundmit si terra’ dal 3 al 5 di Novembre a Torino.
Vi aspettiamo!


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su Soundmit 2017

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Spitfire–Bernard Hermann Composer Toolkit–Recensione

 

https://www.spitfireaudio.com/shop/a-z/bernard-herrmann-composer-toolkit/

 

ORCHESTRAL INNOVATION INSPIRED BY A LEGEND

€509 inc VAT

Spitfire’s first dry scoring stage ensemble library, inspired by the electric genius of Bernard Herrmann. Renowned for his groundbreaking scores including Citizen Kane, Journey to the Centre of the Earth, Psycho, Vertigo and Taxi Driver, his legacy continues to inspire the work of composers today. We’ve worked exclusively with Bernard Herrmann’s estate to curate and assemble a unique set of studio orchestra ensembles, informed directly by the composer’s legendary orchestration aesthetic. Recorded at Studio 1 Air Lyndhurst by Simon Rhodes (Avatar, Grand Budapest Hotel, Spectre, Harry Potter, There Will Be Blood), we’ve captured players performing as Herrmann would have had them – boisterous, lively and upfront, with patches featuring selected groups, unusual instrumental combis, chords, effects and much more. Fire-up this versatile Toolkit for lively and distinctive scoring.

  • 186742 SAMPLES
  • 225.0 GB UNCOMPRESSED .WAV
  • 146.6 GB DISK SPACE REQUIRED
  • 293.2 GB DISK SPACE REQUIRED DURING INSTALL
  • MAC SYSTEM REQUIREMENTS10.9 or higher
  • PC SYSTEM REQUIREMENTSWin7 or higher
  • KONTAKT VERSION REQUIREMENTSKontakt Player 5.5 or higher
  • FREE KONTAKT PLAYER INCLUDED
  • USER MANUAL

BACKGROUND

Bernard Herrmann is one of the great modern composers. His work for TV and film is nothing short of iconic, and is truly synonymous with mid-20th Century cinema. Collaborating with Orson Welles on Citizen Kane, Martin Scorsese on Taxi Driver, and in long-term partnership with Alfred Hitchcock for scores such as Vertigo, Psycho, The Birds, Marnie and beyond, the sheer magnitude of critical works produced is breathtaking. Not only did his work cause significant impact on culture at the time, but more recently those works have been used to invigorate contemporary scores, for example the use of the Twisted Nerve theme in Quentin Tarantino’s Kill Bill – an eerie whistle which is now instantly recognisable worldwide.
Herrmann had a unique and trailblazing compositional style. His orchestrations were entirely original, daring and inventive; always appropriate for the context and subsequently incredibly influential in film scoring (Psycho is an obvious example of a totally new way to score a thriller). The bold selection of specific instrumental ensembles (his Psycho score was famed for being strings-only, and the infamous Torn Curtain featured 12 flutes) and choice of interesting combinations (harp and vibraphone in Vertigo, stopped horns and pizzicato strings in North by Northwest) challenged the status quo. Equally his experimentation of electronic instruments in scores was pioneering – the ondes Martenot in The Day The Earth Stood Still and amplified Moog synths in Sisters/Endless Nights brought sounds previously unheard to cinemas. He also went as far as to effect change in the performance style of players, requesting that players not play in the traditional, somewhat overblown nature that other Hollywood composers would traditionally employ.
He had a limitless curiosity and love of new music, championing the careers of several composers who became household names as a result of his hard work. His work as conductor of the CBS Symphony Orchestra, and the many radio broadcasts he made with them, helped to bring a huge and often little heard variety of music to a wide audience.
His was a truly individual voice and he stood firm against what he saw as the dilution of the art form and he continues to be massively respected and influential among film composers today.
So, of course, when the opportunity arose for Spitfire Audio to collaborate with his estate, we crumbled with excitement. We hope to have developed a unique library that provides working composers with a broad variety of new sounds and possibilities, albeit rooted in the genius of Herrmann and his approach to film scoring.

GUIS

THE OVERVIEW PANEL

Gives you a quick and easy way to access, view and load the different articulations, mic mixes and essential controller functions which you can then re-assign to suit your workflow.

GENERAL CONTROLS PANEL

A deeper but still simple UI panel that allows you to tweak the general settings. How many round robins you would like and how you would like them to behave. How would you like memory to be organised alongside pitch options and how velocity works.

THE OSTINATUM

Quite simply a little inspiration machine. Not quite an arpeggiator, not quite a sequencer. This intuitive device allows you to build up complex patterns that react to your playing to achieve wild systems results tantalising Zimmeresque tension beds or cheeky multi-tonguing effects!

MERCURY SYNTH

Included in the “advanced” folder are over 30 synth patches inspired by Herrmann’s use of sythesisers in combination with orchestral material. These can be controlled using our Mercury Synth GUI. It is an ingenious user interface that allows you to have instant fun without having to roll up your sleeves and go under the Kontakt hood. All of the controls are assignable to your control surface giving you the immediate ability to make our sounds your own.

WaveLab Audio Editing and Mastering Software with New Update

WaveLab Audio Editing and Mastering Software with New Update
The newly released iterations of Steinberg’s audio editing and mastering workstation, WaveLab Pro 9.5 and WaveLab Elements 9.5, combine best audio quality and smooth operation with an endless number of advanced tools for audio restoration, editing and mastering.

WaveLab Pro 9.5 & WaveLab Elements 9.5

HAMBURG, Germany — October 24, 2017 — This is another quantum leap forward in audio quality: Steinberg today announced the immediate availability of WaveLab Pro 9.5 and WaveLab Elements 9.5.
The electronic press kit for WaveLab Pro 9.5 and WaveLab Elements 9.5 is available at: www.steinberg.net/epkwavelab95
The new “point” updates of WaveLab focus on spectral editing, offering an overhauled Spectogram with many additional display settings that give a meticulous attention to frequency detail. Both Pro and Elements introduce RestoreRig, a new plug-in suite that boasts three modules: the DeNoiser, DeBuzzer and DeClicker. With its restoration toolset, RestoreRig detects and removes unwanted noise and audio artifacts in real time.
New spectral features exclusive to WaveLab Pro 9.5 include the brand-new Wavelet display that analyzes and displays musical content based on pitch scaling. The Spectrum Editor comes with many new selection tools, such as Lasso, Brush and Magic Wand, as well as additional processing capabilities the likes of spectral watermarking. Another highlight is the implementation of the Audio Inpainting technology into WaveLab, allowing users to remove unwanted noise from any audio material and then filling in the omission by analyzing the adjacent spectral information. The Error Correction toolset has been given some attention, making them overall easier accessible, while the included Live Spectrogram meter delivers real-time spectral information during playback and recording.
Alongside the many newly introduced spectral editing tools, WaveLab Pro 9.5 also offers an array of many more, very powerful plug-ins, either new or enhanced. WaveLab’s mastering plug-in suite, MasterRig, has been improved so as to include brand-new algorithms and other functionality, whereas the Tube Compressor, Vintage Compressor, Maximizer, AutoPan and several other plug-ins have been redesigned from the ground up. Two new Batch Processor plug-ins round out the extensive list of quality audio editing tools: the Audio Mixer inserts an audio file, e.g., a user’s individual audio watermark, into another audio file at defined intervals, ideal for creating demo versions of your audio publications; Delay Next Process Activation postpones processing when processes are triggered consecutively.
Both Pro and Elements versions have implemented support for the Apple Touch Bar, and also offer high DPI compatibility, making WaveLab look smooth on today’s high-resolution displays. User-requested enhancements and additions include the MP3 Gapless option, Bleep Censor Generator, iXML track name support and much more.
The new DDP Player complements the features introduced in WaveLab Pro 9.5 nicely. It is a standalone application with a separate installer that imports and plays back DDP images, allowing mastering studio clients to listen to the final version ready for publication.
Timo Wildenhain, senior marketing manager at Steinberg, commented: “Over two decades WaveLab has been committed to helping users maximize the full potential of their audio recordings. Now with WaveLab 9.5, we’ve gone the extra mile to provide dedicated tools for that extra bit of audio refinement, and consequently WaveLab delivers the best possible sound quality.”
Visit www.steinberg.net/wavelab for details on WaveLab.
Availability and pricing
Full retail versions of WaveLab Pro 9.5 and WaveLab Elements 9.5 are available from resellers and through the Steinberg Online Shop. The suggested retail price for WaveLab Pro 9.5 is 579 euros, including German VAT, while the suggested retail price for WaveLab Elements 9.5 is set at 99.99 euros, including German VAT.
Various downloadable updates and upgrades are exclusively available through the Steinberg Online Shop.
Customers who have activated WaveLab 7/8/8.5/Pro 9 and WaveLab Elements 7/8/9 since September 26, 2017, are eligible for free, downloadable Grace Period updates to the latest versions, respectively.
Key features of WaveLab Pro 9.5
• World’s leading audio editing and mastering solution with up to 384 kHz sample rate support
• Highly intuitive user interface based on a ribbon and tab layout with an innovative window docking system
• State-of-the-art spectral editing functionality including a modern Spectrogram with a Wavelet display, a cutting-edge Spectrum Editor and a live Spectrogram meter
• Patent-pending Audio Inpainting technology to recreate and/or replace corrupt audio material by logically using the spectral information of the surrounding area
• Full M/S compatibility provides comprehensive M/S audio editing, processing and monitoring
• MasterRig high-end mastering plug-in suite including 6 modules, 8 instances and full M/S support
• Advanced EBU R128-compliant loudness metering, including loudness graph, loudness meta normalizing and true peak support
• RestoreRig restoration plug-in suite including DeClicker, DeCrackler, DePopper, DeNoiser and DeBuzzer
• Project Manager and customizable naming scheme
• Direct exchange of audio files with Cubase and Nuendo
Key features of WaveLab Elements 9.5
• Audio editing and mastering application based on the professional WaveLab Pro version with loudspeaker management, batch conversion capabilities and top-end restoration tools
• Modern Spectrogram offering a customizable view, color schemes with presets, display settings and more
• RestoreRig plug-in suite including a DeClicker, DeCrackler, DePopper, DeNoiser and DeBuzzer
• MasterRig high-end mastering plug-in suite consisting of 5 plug-in modules, including EQ, Dynamics and Saturator
• Global audio analysis providing a comprehensive analysis of your audio material
• Batch conversion allowing for converting multiple audio files at ones
• Enhanced audio analysis and error correction functions perfectly suited to improve your audio
• Professional mixing/editing capabilities such as track and output effects to achieve the best results when polishing your audio files
• CD burning engine for transferring your creative ideas to CD
• Extended file and metadata support, including MP2, SD2, AAC write support

MidiWare a Musika 2017

Roma, 23 Ottobre 2017 – Comunicato stampa

 

MidiWare sarà presente con un suo stand a Musika 2017 – Roma Music Expo, la seconda edizione della più importante fiera musicale del centro Italia che si terrà Domenica 29 Ottobre presso l’area conferenze dell’A.ROMA Lifestyle Hotel.

MidiWare nasce nel 1986 a Roma, prima società dedicata in Italia ad importare e distribuire software ed hardware per la produzione musicale. Attualmente il catalogo di prodotti distribuiti da MidiWare comprende strumenti hardware e software che si integrano alla perfezione in tutto il percorso della catena di produzione audio e musicale, partendo da trasduttori microfonici fino ad arrivare ai monitor da studio e ai sistemi per il trattamento acustico degli ambienti. Tra i marchi principali distribuiti da MidiWare: Moog, Novation, Arturia, Genelec, Solid State Logic, Rupert Neve Designs, RME, sE Electronics, etc.

MidiWare sarà presente naturalmente con le ultime novità dei suoi principali marchi, tra le quali spiccano la nuova serie Genelec The Ones, i prodotti del marchio Artnovion, Moog Subsequent 37, Arturia MatrixBrute e DrumBrute, Touché di ExpressiveE e Novation Circuit Mono Station e Peak.

E’ previsto alle 12 un seminario di Enrico Cosimi che fa parte del Synth Day On Tour interamente dedicato a Novation Peak e Touché.

Cordiali saluti,

Andrea Pozzi

a.pozzi@midiware.com

MidiWare Srl

tel 06 3036 3456

fax 06 3036 3382

info@midiware.comwww.midiware.com